Showing posts with label calligraphy. Show all posts
Showing posts with label calligraphy. Show all posts

Monday, August 31, 2009

Call to Artists: Signs and Portents

My fall calligraphy projects have just been publicly announced!

The CR Gallery will be holding a juried exhibit this December -- Signs and Portents. I'll be doing both the postcard graphics and (hopefully) have a piece in the show.

Click HERE for more information including a call for artists.

Tuesday, July 7, 2009

Calligraphy: Is it Outsider Art?

Christopher Calderhead, a leading calligrapher and editor of Letter Arts Review recently posted a very accessible image-heavy lecture on Calligraphy: Is it Outsider Art?

In it, Calderhead examines how calligraphy is and is not integrated into the larger art community.

Calligraphy: Art or Craft?
One of the frequent discussions I heard in calligraphy circles revolves around this question. Calderhead graphs how he views this, giving calligraphy 3-prongs: fine art, craft, and graphic design. In my mind, I've always combined craft and graphic design, but I can see why he's made them distinct. However, I like how he points out how calligraphy is simultaneously many things, which is how I view it.

While the word, craft, often has some derogatory tones, as in "just a craft", I think of calligraphy in terms of William Morris' Arts and Crafts movement. To me, craft often rises to cultural high points, equally worthy of fine art in both time and money. When I'm addressing envelopes, this is the level I strive for. Ditto for graphic designs I do like logos and book titles.

But to say calligraphy is only a craft leaves out many pieces which hang well on the wall, which are fine art, and can compete with other fine art categories. For instance, the pieces that I've done for the CR Gallery, my illuminations, and some of my card images.

So, I found Christopher's take on the art vs. craft question interesting as well as his general take on engaging the greater art field.

Tuesday, June 30, 2009

Obsolete tools

I find it amusing that as a calligrapher, I use several of the tools that are part of this Museum of Forgotten Art Supplies

Wednesday, June 17, 2009

The Newberry Library & the Victorian Naughty Book

One of the delights of going to Chicago was a visit to the Newberry Library and their extensive calligraphy/illumination collection. They're a free-use private library with quite a few restrictions designed to protect their books. One restriction is only allowing you three books at a time, with those brought to you directly by the librarians.

My books arrive!
My first three books arrived with a very cheerful look on the librarian's face. Actually, smiles lit both the librarians' faces since the need to carefully cradle the books is so great that two of them brought the books to me. "Enjoy!" the first librarian said as she laid the books down.

"Wow," I think, "they seem to really love their jobs. Or perhaps they just really like calligraphy."

I take a look at what they gave me. Each book comes with its own padded cradle to keep them from opening fully and damaging the spine. I ask if I need gloves on to handle these. Nope, they were printed material and as long as my hands were clean that was good enough. Mind you, some of the printed books I handled were printed in the 1500s. Others, while later, were full of hand painted illustrations over the block prints.

The Victorian Naughty book
The largest book has a beautiful red leather cover on it with no title. I open it up and find many illustrations of Jane Austen-styled women with a twist -- they were showing an ankle. Or even sometimes a calf. I glance through other pages of the book. While several of the headers were indeed written in the calligraphy style of the time (copperplate), it just wasn't that interesting.

Then I think, "Hmmm....was this really the right book?" I look back at my call numbers, look at the call number of the red book. Nope. The numbers are one off. The original book still beckons, so I resubmit for it.

The same head librarian returns. This time she came with a chagrined look while profusely apologizing as she hands over the one I really ordered. "Oh, I'm so sorry! I hope you weren't offended. It's just that so many people order the Victorian Naughty book, that I just assumed that was the one you wanted when I saw the call number." I assure her that I was somewhat amused.

When I told the story to my husband that evening he mused, "Maybe it would be fun for me to check out the Newberry tomorrow. What was that call number again?"